Rameau : Hippolyte et Aricie : Act 1 "Quoi! la terre et le ciel contre moi sont armés!" [Phaedre, Oenone] - Jean-Philippe Rameau, William Christie, Les Arts Florissants Information

Acousticness: 99%
Danceability: 35%
Energy: 19%
Instrumentalness: 2%
Liveness: 11%
Loudness: 71%
Speechiness: 5%
Valence: 33%
Popularity: 2%
Loudness: -17.131 dB

Summary

Jean-Philippe Rameau, William Christie, Les Arts Florissants's 'Rameau : Hippolyte et Aricie : Act 1 "Quoi! la terre et le ciel contre moi sont armés!" [Phaedre, Oenone]' came out on 1997. With Rameau : Hippolyte et Aricie : Act 1 "Quoi! la terre et le ciel contre moi sont armés!" [Phaedre, Oenone] being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 67 in the song's album "Rameau : Hippolyte et Aricie". In this album, this song's track order is #20. Furthermore, we believe that the track originated from France. The popularity of Rameau : Hippolyte et Aricie : Act 1 "Quoi! la terre et le ciel contre moi sont armés!" [Phaedre, Oenone] is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Rameau : Hippolyte et Aricie : Act 1 "Quoi! la terre et le ciel contre moi sont armés!" [Phaedre, Oenone] BPM

With Rameau : Hippolyte et Aricie : Act 1 "Quoi! la terre et le ciel contre moi sont armés!" [Phaedre, Oenone] by Jean-Philippe Rameau, William Christie, Les Arts Florissants having a BPM of 161 with a half-time of 80 BPM and a double-time of 322 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Rameau : Hippolyte et Aricie : Act 1 "Quoi! la terre et le ciel contre moi sont armés!" [Phaedre, Oenone] Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Andante festivo for Strings and Timpani, JS 34b	Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä	G Major	2	9B	65 BPM
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro	Henry Purcell, Alison Balsom, Balsom Ensemble	D♭ Major	3	3B	101 BPM
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino	Aram Khachaturian, Alexandre Tharaud	A♭ Major	0	4B	90 BPM
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai	Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt	E Major	2	12B	107 BPM
Sonata in C Major, No. 3: IV. Allegro	Arcangelo Corelli, Lucy van Dael, Bob van Asperen	B Major	3	1B	125 BPM
Sinfonia to Il Giardino di Amore: II. Largo e piano	Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay	B Minor	0	10A	80 BPM
Le Tic-Toc-Choc ou Les Maillotins (18e ordre)	François Couperin, Alexandre Tharaud	F Major	3	7B	133 BPM
Dido and Aeneas, Z. 626: Overture	Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble	B Minor	2	10A	91 BPM
Eia Mater: Andantino	Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo	E Minor	0	9A	0 BPM
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile	Ludwig van Beethoven, Mischa Maisky, Martha Argerich	E Major	0	12B	89 BPM

ISRC: FRZ209626720
Label: L-M Records/RCA Records

Section: 0.7157807350158691

End: 0.7200877666473389