Dido and Aeneas, Z. 626: Overture - Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble Information

Acousticness: 84%
Danceability: 50%
Energy: 21%
Instrumentalness: 42%
Liveness: 11%
Loudness: 53%
Speechiness: 4%
Valence: 49%
Popularity: 42%
Loudness: -28.337 dB

Summary

Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble made "Dido and Aeneas, Z. 626: Overture" available on May 14, 1997. With Dido and Aeneas, Z. 626: Overture being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Dido and Aeneas, Z. 626: Overture is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Dido and Aeneas, Z. 626: Overture BPM

With Dido and Aeneas, Z. 626: Overture by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Dido and Aeneas, Z. 626: Overture Key

This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Chamber Sonata No. 4 in G Minor: I. Grave	Élisabeth Jacquet de La Guerre, Musica Fiorita	D♭ Minor	2	12A	84 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	E♭ Major	1	5B	103 BPM
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra)	Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra	A Major	2	11B	102 BPM
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March	Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra	C Minor	0	5A	82 BPM
The Firebird Suite *: Firebird: Lullaby	Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari	A♭ Minor	0	1A	66 BPM
Romance No. 2 In F Major, Op. 50	Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven	F Major	1	7B	88 BPM
Solfeggietto in C Minor, H. 220	Carl Philipp Emanuel Bach, Cyprien Katsaris	F Minor	1	4A	105 BPM
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto	Frédéric Chopin, Arthur Rubinstein, Stanisław Skrowaczewski, The New Symphony Orchestra Of London	F♯ Minor	2	11A	97 BPM
Viola Concerto in G Major, TWV 51:G9: I. Largo	Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger	G Major	1	9B	144 BPM
Berceuse, Op. 16	Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis	D Major	0	10B	75 BPM

ISRC: HKI199706101
Label: L-M Records/RCA Records

Section: 0.6712403297424316

End: 0.6759047508239746