"Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March" by Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra was released on January 1, 1990. The duration of Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Purcell : Music for Queen Mary (Apex)". In this album, this song's track order is #10. Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March by Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fairy Queen - Act III - Ouverture (Symphony While The Swans Caome Forward) | Jordi Savall, Henry Purcell | B♭ Major | 5 | 6B | 74 BPM | ||
Adagio in G Minor (formerly Attrib. Albinoni) | Remo Giazotto, I Musici | C Minor | 1 | 5A | 94 BPM | ||
Saint-Saëns: Carnival of the Animals, R. 125: VII. Aquarium | Camille Saint-Saëns, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | A Major | 0 | 11B | 66 BPM | ||
Pictures At An Exhibition: The Hut On Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 2 | 9B | 89 BPM | ||
Trio pour piano et violoncelle en Mi Bémol Majeur, D. 929, Op. 100: II. Andante con moto | Franz Schubert, Andreas Staier, Daniel Sepec, Roel Dieltiens | C Minor | 0 | 5A | 96 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 0 | 7B | 81 BPM | ||
Cello Sonata: I. Dialogo | György Ligeti, Miklós Perényi | F Major | 0 | 7B | 94 BPM | ||
Trumpet Tune | Bertalan Hock, György Geiger, Henry Purcell | D Major | 2 | 10B | 101 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) | Jean-Baptiste Lully, Le Concert Des Nations | A Major | 3 | 11B | 144 BPM |
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