"Trio pour piano et violoncelle en Mi Bémol Majeur, D. 929, Op. 100: II. Andante con moto" by Franz Schubert, Andreas Staier, Daniel Sepec, Roel Dieltiens was released on September 23, 2016. Since Trio pour piano et violoncelle en Mi Bémol Majeur, D. 929, Op. 100: II. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Schubert: Piano trios, Op. 99 & 100". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. In terms of popularity, Trio pour piano et violoncelle en Mi Bémol Majeur, D. 929, Op. 100: II. Andante con moto is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio pour piano et violoncelle en Mi Bémol Majeur, D. 929, Op. 100: II. Andante con moto by Franz Schubert, Andreas Staier, Daniel Sepec, Roel Dieltiens having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Melody in B Minor, D.817 | Franz Schubert, Brigitte Engerer | E Minor | 0 | 9A | 86 BPM | ||
Concerto in D Minor, BWV 974: II. Adagio (Arr. for Cello and Piano by Mischa Maisky) | Johann Sebastian Bach, Mischa Maisky, Lily Maisky | B♭ Major | 3 | 6B | 139 BPM | ||
Fauré : Élégie in C minor, Op.24 | Gabriel Fauré, Roland Pidoux | A♭ Major | 0 | 4B | 92 BPM | ||
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
Debussy: Piano Trio in G Major, L. 5: II. Scherzo - Intermezzo - Moderato con allegro | Claude Debussy, Bertrand Chamayou | F♯ Minor | 0 | 11A | 80 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Rachmaninov: Prelude No. 1 in C-Sharp Minor, Op. 3 No. 2 "The Bells of Moscow" | Sergei Rachmaninoff, Alexandre Tharaud | F♯ Minor | 1 | 11A | 77 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Beau Soir, L.6 | Mischa Maisky, Claude Debussy, Daria Hovora | F♯ Minor | 1 | 11A | 71 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM |
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