"Cello Sonata: I. Dialogo" by György Ligeti, Miklós Perényi was released on July 15, 2014. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Miklós Perényi, Dénes Várjon's "Ligeti / Farkas / Veress / Liszt / Dohnanyi / Weiner / Mihaly: Hungarian Cello Music" album is number 1 out of 14. On top of that, Hungary appears to be the country where this track was created. In terms of popularity, Cello Sonata: I. Dialogo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Sonata: I. Dialogo by György Ligeti, Miklós Perényi to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Tartiniana seconda: I. Pastorale | Luigi Dallapiccola, Duccio Ceccanti, Roberto Prosseda | A Minor | 0 | 8A | 173 BPM | ||
Pelleas and Melisande Suite, Op. 46, JS 147: VIII. The Death of Melisande | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | D Minor | 0 | 7A | 52 BPM | ||
String Quartet No 1 'Metamorphoses Nocturnes': Ad libitum, senza misura | György Ligeti, Artemis Quartet | D♭ Major | 1 | 3B | 85 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged for cello and piano / Act 2: Dance of the Blessed Spirits (Reigen seliger Geister) | Christoph Willibald Gluck, Mischa Maisky, Pavel Gililov | B Minor | 1 | 10A | 66 BPM | ||
Six Bagatelles for Wind Quintet: VI. Molto vivace - Capriccioso - Live | György Ligeti, Marion Ralincourt, Hélène Mourot, Christian Laborie, Michaël Rolland, Pierre Rougerie | D♭ Major | 0 | 3B | 78 BPM | ||
3 Chansons, Op. 5, No. 1: Chant d'automne | Gabriel Fauré, Thérèse Ryan, Francine Chabot | B♭ Major | 1 | 6B | 85 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
La Fille Aux Cheveux De Lin, L. 117 | Claude Debussy, Ezio Bosso | F♯ Major | 0 | 2B | 90 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM |
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