"Grieg: Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse" by Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra was released on May 9, 2005. With this song being about 5 minutes long, at 5:07, "Grieg: Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse" by Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra's "Grieg: Peer Gynt, Op. 23" album is number 9 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Grieg: Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse by Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sylvia: Pizzicato | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 0 | 5B | 159 BPM | ||
Holberg Suite, Op.40: 2. Sarabande (Andante) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 85 BPM | ||
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
Cello Concerto in E Minor, Op. 85: 3. Adagio | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | G Major | 0 | 9B | 94 BPM | ||
Piano Sonata No. 2 in B flat minor, Op. 35: 3. Marche funèbre (Lento) | Frédéric Chopin, Vladimir Ashkenazy | F Minor | 4 | 4A | 102 BPM | ||
Airs Espagnols, Op. 18 (version for violin and orchestra) | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 108 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 0 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM |
Section: 0.7294619083404541
End: 0.7340953350067139