"Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse" by Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor was released on January 1, 1991. Since Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 10 in Dvořák: Serenade for Strings, Czech Suite by Antonín Dvořák, Petr Skvor, Josef Vlach, Prague Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse is fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse by Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor is Larghissimo, since this song has a tempo of 0 BPM. With that information, we can conclude that the song has a slow tempo.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Autumn (L'Automno) Op.8 No.3 Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | F Major | 0 | 7B | 104 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
Ride of the Valkyries | Richard Wagner, London Symphony Orchestra, Yondani Butt | B Major | 2 | 1B | 102 BPM | ||
Für Elise - Reimagined | Alexander Joseph | B♭ Minor | 2 | 3A | 166 BPM | ||
November | Max Richter, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | C Major | 4 | 8B | 120 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen | G Minor | 1 | 6A | 75 BPM | ||
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Minor | 2 | 5A | 185 BPM |
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