Deux Arabesques, L66: No. 1: Andantino con moto
Claude Debussy, Kathryn Stott
Debussy, Ravel: Piano Music
4:32 1991
BPM
73
Key
E Major
Camelot
12B

Embed

Share Link

Deux Arabesques, L66: No. 1: Andantino con moto - Claude Debussy, Kathryn Stott Information

Acousticness
99%
Danceability
27%
Energy
1%
Instrumentalness
92%
Liveness
9%
Loudness
52%
Speechiness
4%
Valence
7%
Popularity
Loudness
-28.85 dB

Summary

"Deux Arabesques, L66: No. 1: Andantino con moto" by Claude Debussy, Kathryn Stott was released on 1991. With this song being about 5 minutes long, at 4:32, "Deux Arabesques, L66: No. 1: Andantino con moto" by Claude Debussy, Kathryn Stott is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 27 in Debussy, Ravel: Piano Music by Kathryn Stott. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Deux Arabesques, L66: No. 1: Andantino con moto is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Deux Arabesques, L66: No. 1: Andantino con moto BPM

The tempo marking of Deux Arabesques, L66: No. 1: Andantino con moto by Claude Debussy, Kathryn Stott is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Deux Arabesques, L66: No. 1: Andantino con moto Key

E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) by Robert Schumann, Martin James BartlettWidmung, Op. 25 No. 1 (Arr. Franz Liszt)Robert Schumann, Martin James BartlettA♭ Major04B74 BPM
Truman Sleeps - From “The Truman Show” / Short Version by Philip Glass, Valentina LisitsaTruman Sleeps - From “The Truman Show” / Short VersionPhilip Glass, Valentina LisitsaA♭ Major04B95 BPM
Prélude in C-Sharp Minor, Op. 3, No. 2 by Sergei RachmaninoffPrélude in C-Sharp Minor, Op. 3, No. 2Sergei RachmaninoffF♯ Minor111A115 BPM
Solfeggio, H. 220 by Carl Philipp Emanuel Bach, Rebecca ChambersSolfeggio, H. 220Carl Philipp Emanuel Bach, Rebecca ChambersC Minor25A125 BPM
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto by Gustav Mahler, Alexandre TharaudMahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. AdagiettoGustav Mahler, Alexandre TharaudF Major07B71 BPM
Notturno for Strings and Harp by Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane BertheNotturno for Strings and HarpArnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane BertheA♭ Major14B75 BPM
Consolation No. 3 in D-Flat Major, S. 172/3 by Franz Liszt, Vladimir HorowitzConsolation No. 3 in D-Flat Major, S. 172/3Franz Liszt, Vladimir HorowitzD♭ Major03B70 BPM
Chaconne in sol maggiore : Variazione 10 by Lazar BermanChaconne in sol maggiore : Variazione 10Lazar BermanG Minor06A71 BPM
Nocturne No. 10 In E Minor by Benjamin Frith, John FieldNocturne No. 10 In E MinorBenjamin Frith, John FieldE Minor09A65 BPM
Song Without Words, Op. 109 by Felix Mendelssohn, Yo-Yo Ma, Kathryn StottSong Without Words, Op. 109Felix Mendelssohn, Yo-Yo Ma, Kathryn StottD Major110B71 BPM
ISRC
GBARU8700007
Label
L-M Records/RCA Records

Section: 0.8176603317260742

End: 0.824094295501709