Frédéric Chopin, Vladimir Ashkenazy made "Piano Sonata No. 2 in B flat minor, Op. 35: 3. Marche funèbre (Lento)" available on January 1, 1995. Since Piano Sonata No. 2 in B flat minor, Op. 35: 3. Marche funèbre (Lento) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 217 in Chopin: The Piano Works by Frédéric Chopin, Vladimir Ashkenazy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Piano Sonata No. 2 in B flat minor, Op. 35: 3. Marche funèbre (Lento) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Piano Sonata No. 2 in B flat minor, Op. 35: 3. Marche funèbre (Lento) by Frédéric Chopin, Vladimir Ashkenazy is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento - | Dmitri Shostakovich, Michael Houstoun, John Taber, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | C Major | 0 | 8B | 70 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Piano Concerto in A Minor, Op.16: II. Adagio | Edvard Grieg, Javier Perianes, Sakari Oramo, BBC Symphony Orchestra | D♭ Major | 0 | 3B | 93 BPM | ||
Piano Sonata No. 2 In B Flat Minor, Op. 35: 3. Marche funèbre (Lento) | Frédéric Chopin, Maurizio Pollini | B♭ Minor | 0 | 3A | 61 BPM | ||
Piano Concerto No. 23 in A Major, K.488: 2. Andante | Wolfgang Amadeus Mozart, Vladimir Ashkenazy, Philharmonia Orchestra | F♯ Minor | 0 | 11A | 78 BPM | ||
L'Apprenti sorcier | Paul Dukas, Rotterdam Philharmonic Orchestra, David Zinman | F Minor | 3 | 4A | 95 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |
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