- BPM
- 70
- Key
- C Major
- Camelot
- 8B
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento - - Dmitri Shostakovich, Michael Houstoun, John Taber, New Zealand Symphony Orchestra, Christopher Lyndon-Gee Information
- Acousticness
- 91%
- Danceability
- 13%
- Energy
- 1%
- Instrumentalness
- 74%
- Liveness
- 9%
- Loudness
- 47%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 15%
- Loudness
- -31.546 dB
Summary
"Piano Concerto No. 1 in C Minor, Op. 35: II. Lento -" by Dmitri Shostakovich, Michael Houstoun, John Taber, New Zealand Symphony Orchestra, Christopher Lyndon-Gee was released on August 3, 1995. Since Piano Concerto No. 1 in C Minor, Op. 35: II. Lento - is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Shostakovich: Piano Concertos Nos. 1 and 2". In this album, this song's track order is #10. Piano Concerto No. 1 in C Minor, Op. 35: II. Lento - is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento - BPM
With Piano Concerto No. 1 in C Minor, Op. 35: II. Lento - by Dmitri Shostakovich, Michael Houstoun, John Taber, New Zealand Symphony Orchestra, Christopher Lyndon-Gee having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento - Key
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 24 Preludes and Fugues, Op. 87: Prelude No. 4 in E Minor: Andante | Dmitri Shostakovich, Konstantin Scherbakov | G Major | 0 | 9B | 100 BPM | |
 | Fantasien op. 116: Intermezzo: Adagio | Johannes Brahms, Martin Tchiba | E Major | 0 | 12B | 66 BPM | |
 | Waldszenen, Op. 82: I. Eintritt im Walde | Robert Schumann, Arcadi Volodos | B♭ Major | 0 | 6B | 113 BPM | |
 | Sonata for Cello and Piano in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Camille Thomas, Julien Libeer | F♯ Minor | 1 | 11A | 76 BPM | |
 | Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | |
 | String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | |
 | Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | |
 | IV. Fragment | John Psathas, Michael Houstoun | A♭ Major | 0 | 4B | 167 BPM | |
 | Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | |
 | Piano Concerto Emperor | Lima Musica | A Major | 1 | 11B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.1097853183746338
End: 1.1163334846496582