"String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra)" by Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra was released on 1953. String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 19 in the song's album "The Essential Isaac Stern". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) by Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | ||
Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Freiburger Barockorchester | D♭ Major | 0 | 3B | 65 BPM | ||
Violin Concerto in E Major, BWV 1042: II. Adagio | Johann Sebastian Bach, Isaac Stern, Alexander Schneider, English Chamber Orchestra | D♭ Minor | 1 | 12A | 96 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Stephen Kovacevich | A♭ Major | 0 | 4B | 126 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Papillon, Op. 77 | Gabriel Fauré, Yo-Yo Ma, Kathryn Stott | A Major | 1 | 11B | 143 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 90 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM |
Section: 0.5845158100128174
End: 0.5898880958557129