"Stabat Mater in G Minor: VII. Sancta Mater" by Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks was released on January 31, 2014. With Stabat Mater in G Minor: VII. Sancta Mater being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zelenka: Sanctus et Agnus Dei - Tůma: Stabat Mater. Music from 18th Century Prague by Vaclav Luks, Collegium 1704, Collegium vocale 1704. The song's track number on the album is #7 out of 27 tracks. Based on our data, Czechia was the country where this track was produced or recorded. Stabat Mater in G Minor: VII. Sancta Mater is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Stabat Mater in G Minor: VII. Sancta Mater by Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks has a tempo of 57 beats per a minute, the tempo markings of this song would be Lento (slowly). With Stabat Mater in G Minor: VII. Sancta Mater being at 57 BPM, the half-time would be 28 BPM with a double-time of 114 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, P. 77: IX. Sancta Mater | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pectus: Concerto a 3 voci "Sicut modo geniti infantes rationabiles" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Litaniae de Sancto Xaverio, ZWV 156: Agnus Dei I | Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | E Major | 3 | 12B | 121 BPM | ||
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | ||
Messiah, HWV 56, Pt. 1: No. 19, Rejoice Greatly (Live) | George Frideric Handel, Giulia Semenzato, Collegium 1704, Vaclav Luks | A Major | 1 | 11B | 118 BPM | ||
Membra Jesu nostri, BuxWV 75: Ic. Ad pedes: Clavos pedum, plagas duras | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Missa pro Quadragesima, MH 551: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | C Major | 2 | 8B | 138 BPM | ||
Missa Divi Xaverii, ZWV 12: Quoniam tu solus sanctus | Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Václav Čížek, Stephan MacLeod, Collegium 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM |
Section: 0.6144833564758301
End: 0.6291241645812988