Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff made "Die Zeit, TWV 20:23: II. Recitiativ" available on February 4, 2022. With Die Zeit, TWV 20:23: II. Recitiativ being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Telemann: Cantatas & Fantasias". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die Zeit, TWV 20:23: II. Recitiativ is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Die Zeit, TWV 20:23: II. Recitiativ by Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. John Passion, HWV deest: Part I: Sinfonia – Recitative: Da nahm Pilatus Jesum (Evangelist) | George Frideric Handel, Martin Kleitmann, József Moldvay, Mária Zádori, Judit Nemeth, Charles Brett, Ibolya Verebics, Istvan Gati, Gábor Kállay, Capella Savaria, Pál Németh | F♯ Minor | 0 | 11A | 172 BPM | ||
Then Svenska Messan, HRV 404: Ära vare Gud i högden | Johan Helmich Roman, Göteborg Baroque, Anna Jobrant, Karl Peter Eriksson, Magnus Kjellson | B♭ Minor | 1 | 3A | 79 BPM | ||
Messa Delli Apostoli: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Cantique Quatrième "sur le bonheur des justes & sur le malheur des resprouvez": II. De quelle douleur profonde | Michel Richard Delalande, Véronique Gens, Noemi Rime, Les Arts Florissants, William Christie | D♭ Minor | 0 | 12A | 67 BPM | ||
Credo in F Major: V. Et vitam | Antonio Lotti, Thomas Hengelbrock | E Major | 2 | 12B | 183 BPM | ||
Languet anima mea BWV deest 1006: I. Recitativo: Languet anima mea | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Salve Regina: No. 6., O clemens | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Dido and Aeneas, Z. 626, Act II: Ruined ere the set of Sun! - The trojan Prince - Ho, Ho, Ho | Henry Purcell, La Nuova Musica, David Bates, Helen Charlston, Martha McLorinan, Avery Amereau | F♯ Minor | 2 | 11A | 126 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: VIII. Choral "Amen, komm du schöne Freudenkrone" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier | F♯ Major | 2 | 2B | 137 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 6 in E Minor, TWV 43:e4: VI. Modéré | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | E Minor | 1 | 9A | 78 BPM |
Section: 0.5427391529083252
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