"St. John Passion, HWV deest: Part I: Sinfonia – Recitative: Da nahm Pilatus Jesum (Evangelist)" by George Frideric Handel, Martin Kleitmann, József Moldvay, Mária Zádori, Judit Nemeth, Charles Brett, Ibolya Verebics, Istvan Gati, Gábor Kállay, Capella Savaria, Pál Németh was released on July 15, 2014. With St. John Passion, HWV deest: Part I: Sinfonia – Recitative: Da nahm Pilatus Jesum (Evangelist) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Pál Németh's "Handel: St. John Passion" album is number 1 out of 39. The popularity of St. John Passion, HWV deest: Part I: Sinfonia – Recitative: Da nahm Pilatus Jesum (Evangelist) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of St. John Passion, HWV deest: Part I: Sinfonia – Recitative: Da nahm Pilatus Jesum (Evangelist) by George Frideric Handel, Martin Kleitmann, József Moldvay, Mária Zádori, Judit Nemeth, Charles Brett, Ibolya Verebics, Istvan Gati, Gábor Kállay, Capella Savaria, Pál Németh to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, P. 77: XI. Inflammatus | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Christus hat einmal für die Sünde gelitten, TWV 1:140: III. Es klagte das Gesetz | Georg Philipp Telemann, Julia Grutzka, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Petite messe solennelle: X. Gloria. Cum Sancto Spiritu | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | E Minor | 0 | 9A | 68 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 2, L'enjoüement | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | ||
Missa Dolorosa: V. Benedictus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: I. Intrada - Grave | Georg Philipp Telemann, The English Concert, Trevor Pinnock | B♭ Major | 0 | 6B | 63 BPM |
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