"Christus hat einmal für die Sünde gelitten, TWV 1:140: III. Es klagte das Gesetz" by Georg Philipp Telemann, Julia Grutzka, Gutenberg Soloists, Neumeyer Consort, Felix Koch was released on January 14, 2022. With Christus hat einmal für die Sünde gelitten, TWV 1:140: III. Es klagte das Gesetz being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 64 in Französischer Jahrgang, Vol. 1 by Georg Philipp Telemann, Neumeyer Consort, Felix Koch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Christus hat einmal für die Sünde gelitten, TWV 1:140: III. Es klagte das Gesetz is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christus hat einmal für die Sünde gelitten, TWV 1:140: III. Es klagte das Gesetz by Georg Philipp Telemann, Julia Grutzka, Gutenberg Soloists, Neumeyer Consort, Felix Koch is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Credo in F Major: V. Et vitam | Antonio Lotti, Thomas Hengelbrock | E Major | 2 | 12B | 183 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Bernarda Fink, Christine Schäfer, Vienna Boys' Choir, Concentus Musicus Wien | A♭ Major | 1 | 4B | 130 BPM | ||
Filen, mio caro bene, HanS 263: III. Chiedi pur ai monti (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | F♯ Minor | 1 | 11A | 98 BPM | ||
Gott Hilf Mir, BuxWV 34: Aria "Ach ja, mein Gott, ich hoff auf dich" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Telemann: Concerto for Four Violins in G Major, TWV 40:201: IV. Vivace | Georg Philipp Telemann, Nikolaus Harnoncourt, Alice Harnoncourt, Kurt Theiner, Peter Schoberwalter, Walter Pfeiffer, Concentus Musicus Wien | D Major | 0 | 10B | 85 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 42, O liebe Seele, zieh die Sinnen, BWV 494 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Salve Regina: No. 5., Et Jesu benedictum | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Amadis / Acte II: Vous ne devez plus attendre | Jean-Baptiste Lully, Hugo Reyne, La Simphonie Du Marais, Choeur Du Marais, Thomas Van Essen, Agathe Boudet, Hélène Richer, Daniel Lalandre | F♯ Minor | 0 | 11A | 117 BPM | ||
Stabat Mater in F Minor, RV 621: No. 3., O quam tristis | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Alcina, HWV 34, Act I: Questo è il cielo di contenti | George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski, Alex Rosen, Anna Bonitatibus, Valerio Contaldo, Elizabeth DeShong, Magdalena Kozená, Erin Morley | B Minor | 2 | 10A | 166 BPM |
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