"Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen"" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Bernarda Fink, Christine Schäfer, Vienna Boys' Choir, Concentus Musicus Wien was released on January 1, 2001. With this song being about 5 minutes long, at 4:54, "Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen"" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Bernarda Fink, Christine Schäfer, Vienna Boys' Choir, Concentus Musicus Wien is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 27 out of 68 in Bach: Matthäus-Passion, BWV 244 (Remastered) by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien, Christoph Prégardien, Matthias Goerne. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Bernarda Fink, Christine Schäfer, Vienna Boys' Choir, Concentus Musicus Wien is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM | ||
Suite en La: Gavotte | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 0 | 8A | 82 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Cello Concerto in E Minor, RV 409: III. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | E Minor | 1 | 9A | 142 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Unaccompanied Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande | Johann Sebastian Bach, Yo-Yo Ma | G Major | 0 | 9B | 97 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM |
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