"Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2)" by Franz Liszt, Joseph Banowetz was released on November 3, 1997. The duration of Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) is about 3 minutes long, at 3:19. Based on our data, "Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Franz Liszt, Joseph Banowetz's "Liszt Complete Piano Music, Vol. 6: Complete Song Transcriptions of Chopin, Mendelssohn and Robert & Clara Schumann" album is number 24 out of 30. Based on our statistics, Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2)'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) by Franz Liszt, Joseph Banowetz to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Nacht und Träume, Op. 43 No. 2, D. 827 | Franz Schubert, Harriet Krijgh, Magda Amara | E Major | 1 | 12B | 80 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | ||
Piano Concerto No. 3 in C, Op. 26: 1. Andante - Allegro | Sergei Prokofiev, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | A Minor | 3 | 8A | 133 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
19 Hungarian Rhapsodies, S. 244: No. 6 in D-Flat Major | Franz Liszt, Lang Lang | D♭ Major | 2 | 3B | 124 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM |
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