Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri made "Stabat Mater in F Minor, RV 621: No. 3., O quam tristis" available on March 8, 2024. With Stabat Mater in F Minor, RV 621: No. 3., O quam tristis being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andreas Scholl, Alessandro Tampieri, Accademia Bizantina's "Invocazioni Mariane" album is number 18 out of 27. On top of that, France appears to be the country where this track was created. In terms of popularity, Stabat Mater in F Minor, RV 621: No. 3., O quam tristis is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Stabat Mater in F Minor, RV 621: No. 3., O quam tristis by Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Dido and Aeneas, Z. 626, Act II: But ere we this perform - In our deep vaulted cell - Dance | Henry Purcell, La Nuova Musica, David Bates, Helen Charlston, Martha McLorinan | F♯ Minor | 2 | 11A | 126 BPM | ||
O quam tu pulchra es | Alessandro Grandi, Massimo Altieri, Massimo Lombardi, Guglielmo Buonsanti, i Disinvolti | D Major | 0 | 10B | 101 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: VII. Domine, salvum fac regem | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: II. Adagio | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Salve Regina: No. 3., Ad te suspiramus | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Tra gli ardori | Francesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena Sartori | F Major | 2 | 7B | 68 BPM | ||
Missa Paschalis, ZWV 7: Benedictus | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová | A♭ Major | 1 | 4B | 173 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Concerto No. 5 In A Major RV 519: I. Allegro (Vivaldi) | Accademia Bizantina | A♭ Major | 2 | 4B | 131 BPM |
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