Stabat Mater in F Minor, RV 621: No. 3., O quam tristis
Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri
Invocazioni Mariane
1:40 March 8, 2024
BPM
99
Key
E Minor
Camelot
9A

Embed

Share Link

Stabat Mater in F Minor, RV 621: No. 3., O quam tristis - Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri Information

Acousticness
88%
Danceability
53%
Energy
11%
Instrumentalness
0%
Liveness
9%
Loudness
67%
Speechiness
3%
Valence
42%
Popularity
Loudness
-19.982 dB

Summary

Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri made "Stabat Mater in F Minor, RV 621: No. 3., O quam tristis" available on March 8, 2024. With Stabat Mater in F Minor, RV 621: No. 3., O quam tristis being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andreas Scholl, Alessandro Tampieri, Accademia Bizantina's "Invocazioni Mariane" album is number 18 out of 27. On top of that, France appears to be the country where this track was created. In terms of popularity, Stabat Mater in F Minor, RV 621: No. 3., O quam tristis is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Stabat Mater in F Minor, RV 621: No. 3., O quam tristis BPM

We consider the tempo marking of Stabat Mater in F Minor, RV 621: No. 3., O quam tristis by Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Stabat Mater in F Minor, RV 621: No. 3., O quam tristis Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Motetto de S. Joanne Baptista: III. Coro. Alleluia by František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman VálekMotetto de S. Joanne Baptista: III. Coro. AlleluiaFrantišek Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman VálekB Major21B83 BPM
Dido and Aeneas, Z. 626, Act II: But ere we this perform - In our deep vaulted cell - Dance by Henry Purcell, La Nuova Musica, David Bates, Helen Charlston, Martha McLorinanDido and Aeneas, Z. 626, Act II: But ere we this perform - In our deep vaulted cell - DanceHenry Purcell, La Nuova Musica, David Bates, Helen Charlston, Martha McLorinanF♯ Minor211A126 BPM
O quam tu pulchra es by Alessandro Grandi, Massimo Altieri, Massimo Lombardi, Guglielmo Buonsanti, i DisinvoltiO quam tu pulchra esAlessandro Grandi, Massimo Altieri, Massimo Lombardi, Guglielmo Buonsanti, i DisinvoltiD Major010B101 BPM
Exaudiat te Dominus, LWV 77 No. 15: VII. Domine, salvum fac regem by Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesExaudiat te Dominus, LWV 77 No. 15: VII. Domine, salvum fac regemJean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesB♭ Major66B94 BPM
Sonata a 4 in F minor, Op.1: No.4, Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: II. AdagioAngelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro TampieriE Minor19A99 BPM
Salve Regina: No. 3., Ad te suspiramus by Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro TampieriSalve Regina: No. 3., Ad te suspiramusPasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro TampieriE Minor19A99 BPM
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Tra gli ardori by Francesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena SartoriLa liberazione di Ruggiero dall'isola d'Alcina, Prologue: Tra gli ardoriFrancesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena SartoriF Major27B68 BPM
Missa Paschalis, ZWV 7: Benedictus by Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela EibenováMissa Paschalis, ZWV 7: BenedictusJan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela EibenováA♭ Major14B173 BPM
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes by Matthew Locke, Ensemble Correspondances, Sébastien DaucéPsyche, Act V Scene 3: Rustick musick of Mænades & ÆgipanesMatthew Locke, Ensemble Correspondances, Sébastien DaucéA♭ Major34B120 BPM
Concerto No. 5 In A Major RV 519: I. Allegro (Vivaldi) by Accademia BizantinaConcerto No. 5 In A Major RV 519: I. Allegro (Vivaldi)Accademia BizantinaA♭ Major24B131 BPM
ISRC
FRZ132218180
Label
L-M Records/RCA Records

Section: 0.6460130214691162

End: 0.6495702266693115