"Missa Paschalis, ZWV 7: Benedictus" by Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová was released on March 21, 2014. Missa Paschalis, ZWV 7: Benedictus is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Gabriela Eibenová's "Jan Dismas Zelenka: Missa Paschalis, ZWV 7 & Litaniae Omnium Sanctorum, ZWV 153" album is number 16 out of 27. On top of that, Czechia appears to be the country where this track was created. The popularity of Missa Paschalis, ZWV 7: Benedictus is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Paschalis, ZWV 7: Benedictus by Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oster-Oratorium, BWV 249: Sinfonia | Johann Sebastian Bach, Ilse Eerens, Michael Chance, Markus Schäfer, David Wilson-Johnson, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 2 | 3B | 174 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Kyrie | Antonio Caldara, Jan Dismas Zelenka, Maria Magdalena Vokalensemble | D♭ Minor | 2 | 12A | 125 BPM | ||
Laudate pueri, HWV 237: II. Sit nomen Domini | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Jauchzet Gott in allen Landen, BWV 51: Jauchzet Gott in allen Landen (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | B Major | 3 | 1B | 97 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: Nach dir, Herr, verlanget mich, BWV 150: Coro | Johann Sebastian Bach, Philippe Pierlot, Stephan MacLeod, Ricercar Consort, Katharine Fuge, Carlos Mena, Jan Kobow | G Minor | 0 | 6A | 66 BPM | ||
Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Gloria | Antonio Caldara, Jan Dismas Zelenka, Maria Magdalena Vokalensemble | D♭ Minor | 2 | 12A | 125 BPM |
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