Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks's 'Stabat Mater in G Minor: II. O quam tristis' came out on January 31, 2014. With Stabat Mater in G Minor: II. O quam tristis being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zelenka: Sanctus et Agnus Dei - Tůma: Stabat Mater. Music from 18th Century Prague by Vaclav Luks, Collegium 1704, Collegium vocale 1704. The song's track number on the album is #2 out of 27 tracks. Based on our data, Czechia was the country where this track was produced or recorded. In terms of popularity, Stabat Mater in G Minor: II. O quam tristis is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Stabat Mater in G Minor: II. O quam tristis by Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Stabat Mater in G Minor: II. O quam tristis being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus, RV 608: IX. Amen | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad faciem: Aria "Salve, caput cruentatum" | Dietrich Buxtehude, Mena Guillon Ricercar Consort, Philippe Pierlot, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Membra Jesu nostri, BuxWV 75: Ic. Ad pedes: Clavos pedum, plagas duras | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Maddalena ai piedi di Cristo: No. 17 Recitativo Marta "Omai spezza quel nodo" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | B Minor | 1 | 10A | 102 BPM | ||
Missa Paschalis, ZWV 7: Dona nobis pacem | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 1 | 4B | 173 BPM | ||
Céphale et Procris, Prologue: Chœur. Chantons, chantons sa valeur immortelle | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis, Chœur De Chambre De Namur | F Minor | 1 | 4A | 75 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad manus: Concerto "Quid sunt plagae istae in medio manuum tuarum?" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | ||
Messiah, HWV 56, Pt. 3: No. 46, Since by Man Came Death (Live) | George Frideric Handel, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 79 BPM | ||
Pasión: Humiliávit. Bajo Solo. | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM |
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