On September 23, 2022, the song "Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes" was released by Matthew Locke, Ensemble Correspondances, Sébastien Daucé. With Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Matthew Locke, Ensemble Correspondances, Sébastien Daucé's "Locke: Psyche" album is number 32 out of 55. On top of that, France appears to be the country where this track was created. Based on our statistics, Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes by Matthew Locke, Ensemble Correspondances, Sébastien Daucé to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Le Concert royal de la Nuit, Grand Ballet, Le Soleil: "Depuis que j'ouvre l'Orient" (l'Aurore) | Jean de Cambefort, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé | F♯ Major | 1 | 2B | 96 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Uns ist ein Kind geboren: I. Sonata | Johann Kuhnau, Camerata Lipsiensis, Gregor Meyer | A♭ Minor | 1 | 1A | 103 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Sonata No. 4 in C minor for recorder & b.c. – 1.o Minuetto 2.o Minuetto | Charles Buterne, László Rózsa, Jonathan Rees, Alex McCartney | B Major | 0 | 1B | 132 BPM |
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