Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset made "Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages" available on May 5, 2023. With Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Pancrace Royer: Surprising Royer, Orchestral Suites". In this album, this song's track order is #19. Furthermore, we believe that the track originated from France. The popularity of Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages by Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Atys, LWV 53, Prologue: Air pour les Nymphes de Flore | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
Concerto in E Major: III. Siciliano | Carl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
Tarare, Prologue, Scène 1: Ouverture « C'est assez troubler l'univers » (La Nature et les Vents déchaînés) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Judith van Wanroij, Les Chantres du Centre de Musique Baroque de Versailles | G Major | 0 | 9B | 169 BPM | ||
Isis, LWV 54, Prologue, Scène 3: "Cessez pour quelque temps, bruit terrible des armes" (Calliope, Thalie, Apollon, Melpomène) | Jean-Baptiste Lully, Ambroisine Bré, Eve-Maud Hubeaux, Cyril Auvity, Bénédicte Tauran, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 101 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Pièces de Clavecin in G minor: 10. Gaillarde | Jean-Henri d'Anglebert, Christophe Rousset | F Minor | 3 | 4A | 99 BPM | ||
Le Carnaval et la Folie: Air pour les dieux (Rondeau) | Andre Cardinal Destouches, Arion Orchestre Baroque, Mathieu Lussier | D♭ Major | 1 | 3B | 127 BPM | ||
Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | ||
Télémaque & Calypso, Prologue: Ouverture (I) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard | D Minor | 2 | 7A | 104 BPM | ||
Symphony in E Minor, H. 652, Wq. 177: II. Andante moderato | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | B♭ Minor | 1 | 3A | 112 BPM |
Section: 0.5113101005554199
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