Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard's 'Télémaque & Calypso, Prologue: Ouverture (I)' came out on April 12, 2024. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 104 in Destouches: Télémaque & Calypso by Andre Cardinal Destouches, Les Ombres, Antonin Rondepierre, Emmanuelle De Negri, Margaux Blanchard, Sylvain Sartre, Isabelle Druet. In terms of popularity, Télémaque & Calypso, Prologue: Ouverture (I) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Télémaque & Calypso, Prologue: Ouverture (I) by Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Les Élements: Passepied | Andre Cardinal Destouches, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 65 BPM | ||
Quartet No. 6 in E Minor, TWV 43:e4 (Paris Quartet No.12): VI. Modéré | Georg Philipp Telemann, Les Ombres, Sylvain Sartre, Margaux Blanchard, Varoujan Doneyan, Jonathan Pesek, Nadja Lesaulnier | B Major | 1 | 1B | 78 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Les Éléments, S.153, Prologue "Le Chaos": Ouverture | Andre Cardinal Destouches, Michel Richard Delalande, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | F♯ Minor | 4 | 11A | 113 BPM | ||
Sémiramis, Act I Scene 6: Enfin voici l'instant si cher à mes souhaits (Sémiramis, Arsane) | Andre Cardinal Destouches, Éléonore Pancrazi, Mathias Vidal, Les Ombres, Sylvain Sartre, Margaux Blanchard | F♯ Minor | 4 | 11A | 97 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Theodora, HWV 68, Overture: Courante | George Frideric Handel, Arcangelo, Jonathan Cohen | D♭ Minor | 1 | 12A | 75 BPM | ||
Hexachordum Apollinis: No. 3 in F Major, Aria & 6 Variations, P. 195 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 3: En vain contre Thélème | Jean-Philippe Rameau, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM |
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