Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau made "Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio" available on January 26, 2024. With Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 29 in Corelli & Quentin: Flute Sonatas by Anna Besson, Myriam Rignol, Jean Rondeau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio by Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Anima Musicæ Chamber Orchestra | F Minor | 1 | 4A | 171 BPM | ||
Ouverture No. 2 in F Major (c 1715): VI. Menuett | Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger | E Major | 1 | 12B | 82 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): III. Amoroso | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 79 BPM | ||
Mystery (Rosary) Sonata: No. 3 in B Minor “The Nativity”: II. Courente - Double | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
10 National Airs with Variations, Op. 107: Air russe "Schöne Minka" | Ludwig van Beethoven, Anna Besson, Olga Pashchenko | A Minor | 1 | 8A | 142 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Baryton Trio in A Major, Hob. XI:35: II. Allegro molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
"Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
Trio Sonata in C Major, BuxWV 256: I. Vivace | Dietrich Buxtehude, Ensemble Mélero | B Major | 3 | 1B | 96 BPM |
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