"10 National Airs with Variations, Op. 107: Air russe "Schöne Minka"" by Ludwig van Beethoven, Anna Besson, Olga Pashchenko was released on October 30, 2020. 10 National Airs with Variations, Op. 107: Air russe "Schöne Minka" is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 10 out of 14 in Beethoven, Kuhlau & Doppler: Variations on Folk Songs by Anna Besson, Olga Pashchenko. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, 10 National Airs with Variations, Op. 107: Air russe "Schöne Minka"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 10 National Airs with Variations, Op. 107: Air russe "Schöne Minka" by Ludwig van Beethoven, Anna Besson, Olga Pashchenko is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Inquietude, Op. 100, No. 18 | Franz Burgmüller | A Minor | 3 | 8A | 115 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
The Merry Shepherd Boy | Hu-Wei Huang, Lang Lang | G Minor | 2 | 6A | 112 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | F Major | 2 | 7B | 122 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM |
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