Jean de Cambefort, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Grand Ballet, Le Soleil: "Depuis que j'ouvre l'Orient" (l'Aurore)' came out on September 3, 2015. The duration of Le Concert royal de la Nuit, Grand Ballet, Le Soleil: "Depuis que j'ouvre l'Orient" (l'Aurore) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Le Concert royal de la Nuit, Grand Ballet, Le Soleil: "Depuis que j'ouvre l'Orient" (l'Aurore)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 27 out of 68. On top of that, France appears to be the country where this track was created. In terms of popularity, Le Concert royal de la Nuit, Grand Ballet, Le Soleil: "Depuis que j'ouvre l'Orient" (l'Aurore) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Grand Ballet, Le Soleil: "Depuis que j'ouvre l'Orient" (l'Aurore) by Jean de Cambefort, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Vespro della Beata Vergine, SV 206: IV. Psalm "Laudate pueri Dominum" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
Charpentier: Auprès du feu l'on fait l'amour, H. 446 | Marc-Antoine Charpentier, Lea Desandre, Thomas Dunford | F♯ Major | 1 | 2B | 80 BPM | ||
Egisto, Atto III Scena 10: Amanti, se credete | Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores | A Major | 1 | 11B | 109 BPM | ||
Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Dormi, dormi, o Sonno, dormi" (Aure, Ruscelli) | Francesco Cavalli, Davy Cornillot, Etienne Bazola, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé | B Major | 0 | 1B | 84 BPM | ||
The Indian Queen, Z. 630 / Act III: Rondeau | Henry Purcell, Notturna, Christopher Palameta | A♭ Major | 2 | 4B | 124 BPM | ||
Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Stabat Mater, P. 77: IV. Quae moerebat | Giovanni Battista Pergolesi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Vespro della Beata Vergine, SV 206: VII. Concerto "Duo Seraphim" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Samuel Boden, Benedict Hymas, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM |
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