Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Dormi, dormi, o Sonno, dormi" (Aure, Ruscelli)
Francesco Cavalli, Davy Cornillot, Etienne Bazola, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé
Le Concert royal de la Nuit
3:47 September 3, 2015
BPM
84
Key
B Major
Camelot
1B

Embed

Share Link

Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Dormi, dormi, o Sonno, dormi" (Aure, Ruscelli) - Francesco Cavalli, Davy Cornillot, Etienne Bazola, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé Information

Acousticness
94%
Danceability
22%
Energy
5%
Instrumentalness
0%
Liveness
20%
Loudness
56%
Speechiness
5%
Valence
33%
Popularity
Loudness
-26.534 dB

Summary

Francesco Cavalli, Davy Cornillot, Etienne Bazola, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Dormi, dormi, o Sonno, dormi" (Aure, Ruscelli)' came out on September 3, 2015. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 12 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Dormi, dormi, o Sonno, dormi" (Aure, Ruscelli) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Dormi, dormi, o Sonno, dormi" (Aure, Ruscelli) BPM

We consider the tempo marking of Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Dormi, dormi, o Sonno, dormi" (Aure, Ruscelli) by Francesco Cavalli, Davy Cornillot, Etienne Bazola, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Dormi, dormi, o Sonno, dormi" (Aure, Ruscelli) Key

B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Venus & Adonis: Overture by John Blow, Orchestra of the Age of Enlightenment, René JacobsVenus & Adonis: OvertureJohn Blow, Orchestra of the Age of Enlightenment, René JacobsD♭ Minor312A116 BPM
Abdelazer, Z.570: Air - Jig - Hornpipe - Air by Henry Purcell, Academy of Ancient Music, Christopher HogwoodAbdelazer, Z.570: Air - Jig - Hornpipe - AirHenry Purcell, Academy of Ancient Music, Christopher HogwoodF♯ Minor211A172 BPM
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) by George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin MallonRinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena)George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin MallonD Minor57A155 BPM
San Giovanni Battista: Sinfonia by Alessandro Stradella, Concerto Italiano, Rinaldo AlessandriniSan Giovanni Battista: SinfoniaAlessandro Stradella, Concerto Italiano, Rinaldo AlessandriniD♭ Major13B64 BPM
Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa by Antonio Vivaldi, Philippe Jaroussky, Alessandro TampieriVivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosaAntonio Vivaldi, Philippe Jaroussky, Alessandro TampieriB♭ Major06B76 BPM
Concerto in E Minor: II. Vivace by Benedetto Marcello, Concerto Italiano, Rinaldo AlessandriniConcerto in E Minor: II. VivaceBenedetto Marcello, Concerto Italiano, Rinaldo AlessandriniE♭ Minor32A117 BPM
Trio Sonata in A Minor, BuxWV 272 by Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier FortinTrio Sonata in A Minor, BuxWV 272Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier FortinA Minor28A171 BPM
Maddalena ai piedi di Cristo: No. 1 Sinfonia by Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara BanchiniMaddalena ai piedi di Cristo: No. 1 SinfoniaAntonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara BanchiniA♭ Major24B170 BPM
Gli amori d'Apollo e di Dafne, Act I: Act I Scene 2: Gradita pobreta (Circilla, Alfesibeo) by Francesco Cavalli, Paulin Bundgen, Furio Zanasi, Ensemble Elyma, Gabriel GarridoGli amori d'Apollo e di Dafne, Act I: Act I Scene 2: Gradita pobreta (Circilla, Alfesibeo)Francesco Cavalli, Paulin Bundgen, Furio Zanasi, Ensemble Elyma, Gabriel GarridoD Major110B92 BPM
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro by Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. AllegroMichele Mascitti, Concerto Italiano, Rinaldo AlessandriniE♭ Minor22A115 BPM
ISRC
FRZ141505120
Label
L-M Records/RCA Records

Section: 0.6548922061920166

End: 0.6589248180389404