Francesco Cavalli, Paulin Bundgen, Furio Zanasi, Ensemble Elyma, Gabriel Garrido's 'Gli amori d'Apollo e di Dafne, Act I: Act I Scene 2: Gradita pobreta (Circilla, Alfesibeo)' came out on September 30, 2016. Gli amori d'Apollo e di Dafne, Act I: Act I Scene 2: Gradita pobreta (Circilla, Alfesibeo) appears to be safe for all ages as it is not explicit. The song is number 4 out of 25 in Cavalli: Gli amori d'Apollo e di Dafne by Francesco Cavalli, Rosa Dominguez, Furio Zanasi, Ensemble Elyma, Gabriel Garrido. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Gli amori d'Apollo e di Dafne, Act I: Act I Scene 2: Gradita pobreta (Circilla, Alfesibeo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gli amori d'Apollo e di Dafne, Act I: Act I Scene 2: Gradita pobreta (Circilla, Alfesibeo) by Francesco Cavalli, Paulin Bundgen, Furio Zanasi, Ensemble Elyma, Gabriel Garrido is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Strings in C Major, RV 114: I. Allegro - Adagio | Antonio Vivaldi, Ensemble 415, Chiara Banchini | A♭ Major | 0 | 4B | 69 BPM | ||
Premier Concert: Menuet En Trio (Couperin) | Le Concert Des Nations, Jordi Savall | G Major | 1 | 9B | 131 BPM | ||
Quatuor No. 2 in A Minor: III. Légérement | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | A♭ Minor | 3 | 1A | 68 BPM | ||
Concerto 2 in D Major, Op. 7: I. Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 1 | 4B | 191 BPM | ||
Sant'Agnese: Vaga rosa (Aria) | Bernardo Pasquini, Núria Rial | D♭ Minor | 0 | 12A | 77 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Passacaglia - Lamento d'Apollo | Luigi Rossi, Francesco Cavalli, Nihan Devecioglu, Friederike Heumann, Xavier Diaz-Latorre | D♭ Minor | 0 | 12A | 113 BPM | ||
Strozzi: Arie, Op. 8 No. 6: "Che si può fare" | Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro | C Major | 1 | 8B | 73 BPM |
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