"Passacaglia - Lamento d'Apollo" by Luigi Rossi, Francesco Cavalli, Nihan Devecioglu, Friederike Heumann, Xavier Diaz-Latorre was released on September 18, 2020. Since Passacaglia - Lamento d'Apollo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Nostalgia: The Sea of Memories". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Passacaglia - Lamento d'Apollo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Passacaglia - Lamento d'Apollo by Luigi Rossi, Francesco Cavalli, Nihan Devecioglu, Friederike Heumann, Xavier Diaz-Latorre having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
Te Deum, S.32: I. Te Deum laudamus | Michel Richard Delalande, Le Poème Harmonique, Vincent Dumestre, Emmanuelle De Negri, Dagmar Saskova, Sean Clayton | C Major | 3 | 8B | 93 BPM | ||
Cappellini: Raccolta di Ariette: Chi vuol ch’il cor gioisca | Pietro Paolo Cappellini, Jakub Józef Orliński, Il Pomo D'oro | F Minor | 1 | 4A | 166 BPM | ||
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
Rossi: L'Orfeo, Act 1: "Mio ben, teco il tormento" (Euridice) | Luigi Rossi, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 96 BPM | ||
Allemande BWV 1011 (Re Mineur) (Bach) | Jordi Savall | D Minor | 0 | 7A | 92 BPM | ||
Euridice, Prologo: Sinfonia a 5 | Luca Marenzio, Ensemble Albalonga, Aníbal E. Cetrangolo | F Major | 0 | 7B | 129 BPM | ||
Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia) | Marie-Nicole Lemieux, Philippe Jaroussky, Ensemble Artaserse | D Minor | 2 | 7A | 119 BPM | ||
Now O now I needs must part | John Dowland, Julian Behr, Andreas Scholl, Concerto di Viole | E Major | 1 | 12B | 105 BPM | ||
When Saul was king: IV. All the night she weepeth sore | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient Music | E Minor | 0 | 9A | 111 BPM |
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