Luca Marenzio, Ensemble Albalonga, Aníbal E. Cetrangolo made "Euridice, Prologo: Sinfonia a 5" available on January 1, 1997. With Euridice, Prologo: Sinfonia a 5 being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Peri: Euridice". In this album, this song's track order is #1. Based on our statistics, Euridice, Prologo: Sinfonia a 5's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Euridice, Prologo: Sinfonia a 5 by Luca Marenzio, Ensemble Albalonga, Aníbal E. Cetrangolo having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavana II | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 115 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: IV. Gavotte | Robert de Visée, Jean Rondeau | D♭ Major | 2 | 3B | 75 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 5: Sinfonie & Moresca | Alessandro Striggio, Claudio Monteverdi, Christina Pluhar | C Major | 3 | 8B | 117 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
De Beata Marie [Virginis] I: Christe | Giovanni Pierluigi da Palestrina, Michel Van Goethem, Renzo Bez, Vincenzo di Donato, Furio Zanasi, Alessandro Carmignani, Sergio Foresti, Liuwe Tamminga, Sergio Vartolo | D Major | 1 | 10B | 95 BPM | ||
Festejo Harmonico: Sinfonia | Giacomo Facco, Albalonga, Aníbal E. Cetrangolo | D♭ Major | 2 | 3B | 108 BPM | ||
Royer: Pièces pour clavecin, Book 1 (1746): No. 12 Allemande | Joseph-Nicolas-Pancrace Royer, Jean Rondeau | B♭ Minor | 3 | 3A | 135 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
9 Fantasia a 4: IX. Fantazia in A Minor, Z. 740 | Henry Purcell, The Rose Consort Of Viols | G Major | 1 | 9B | 126 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: VI. Israel hoffe auf den Herren | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | C Minor | 2 | 5A | 143 BPM |
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