Intermedes de Xerxes: Bourre pour les Basques - Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon Information

Acousticness: 82%
Danceability: 52%
Energy: 12%
Instrumentalness: 85%
Liveness: 11%
Loudness: 60%
Speechiness: 6%
Valence: 34%
Popularity: 7%
Loudness: -24.213 dB

Summary

Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon's 'Intermedes de Xerxes: Bourre pour les Basques' came out on May 4, 1998. With Intermedes de Xerxes: Bourre pour les Basques being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 11 out of 35. Based on our statistics, Intermedes de Xerxes: Bourre pour les Basques's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Intermedes de Xerxes: Bourre pour les Basques BPM

We consider the tempo marking of Intermedes de Xerxes: Bourre pour les Basques by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.

Intermedes de Xerxes: Bourre pour les Basques Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares	John Dowland, Fretwork	F Minor	0	4A	101 BPM
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché	Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez	F♯ Major	1	2B	77 BPM
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4	Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard	A Major	1	11B	128 BPM
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	D♭ Minor	3	12A	169 BPM
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai	William Boyce, Academy of Ancient Music, Christopher Hogwood	D♭ Major	2	3B	131 BPM
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro	Giovanni Battista Sammartini, Dan Laurin, Parnassus Avenue	D♭ Minor	0	12A	140 BPM
The Gordion Knot Unty'd, Z. 597: Second Music II: Minuet	Henry Purcell, Aradia Ensemble, Kevin Mallon	D♭ Major	0	3B	49 BPM
Concerto for Oboe and Bassoon in G Major, RV 545: I. Andante molto	Antonio Vivaldi, Christopher Hooker, Joanna Graham, City of London Sinfonia, Nicholas Kraemer	G Major	2	9B	178 BPM
Alcidiane: Ritournelle et Recit Italien	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	D♭ Minor	1	12A	90 BPM
De profundis, LWV 62: De profundis	Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet	C Major	2	8B	97 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6088099479675293

End: 0.6125578880310059