- BPM
- 101
- Key
- F Minor
- Camelot
- 4A
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares - John Dowland, Fretwork Information
- Acousticness
- 96%
- Danceability
- 34%
- Energy
- 3%
- Instrumentalness
- 60%
- Liveness
- 12%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 25%
- Popularity
- 20%
- Loudness
- -26.289 dB
Summary
John Dowland, Fretwork's 'M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares' came out on December 1, 1993. With M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 21 in Dowland - Lachrimae by John Dowland, Fretwork, Christopher Wilson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares BPM
The tempo marking of M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares by John Dowland, Fretwork is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lawes: Consort Set No. 5 for 5 Viols in C Major, VdGS 81-83: II. Pavan | William Lawes, Fretwork | G Major | 0 | 9B | 118 BPM | |
 | Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM | |
 | Il primo libro delle canzoni: Toccata (2) | Girolamo Frescobaldi, Ensemble ConSerto Musico, Roberto Loreggian | F♯ Minor | 3 | 11A | 112 BPM | |
 | In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | |
 | Vor deinen Thron tret ich hiermit, BWV 668 à 4 (from Clavier Übung III) | Johann Sebastian Bach, Fretwork | F♯ Major | 0 | 2B | 71 BPM | |
 | Canzona prima a basso solo, "detta l'altera" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 148 BPM | |
 | The Art of Fugue, BWV 1080: Contrapunctus I | Johann Sebastian Bach, Fretwork | D♭ Minor | 0 | 12A | 105 BPM | |
 | Vostre hault bruit | Alexander Agricola, Fretwork, Michael Chance | F Major | 1 | 7B | 62 BPM | |
 | Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 171 BPM | |
 | Lute Sonata No. 11 in D Minor: I. Fantasia | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM |
- ISRC
- GBAYC8901232
- Label
- L-M Records/RCA Records
Section: 0.5728135108947754
End: 0.5760507583618164