"Alcidiane: Ritournelle et Recit Italien" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon was released on May 4, 1998. The duration of Alcidiane: Ritournelle et Recit Italien is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Alcidiane: Ritournelle et Recit Italien's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 8 out of 35. In terms of popularity, Alcidiane: Ritournelle et Recit Italien is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Alcidiane: Ritournelle et Recit Italien by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Bourgeois Gentilhomme (1670): Giourdina | Jean-Baptiste Lully, Conor Biggs, Musica Antiqua Köln, Reinhard Goebel, Ex Tempore | F♯ Minor | 5 | 11A | 91 BPM | ||
Pomone / Act 1: Passons nos jours dans ces vergers | Robert Cambert, Céline Scheen, Goedele Heidbüchel, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 99 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VIII. Qui tollis peccata mundi: Adagio | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 80 BPM | ||
Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro | Francesco Antonio Bonporti, London Baroque | F♯ Minor | 2 | 11A | 108 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 84 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Alcidiane: Ritournelle et Recit de la Fortune chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 82 BPM | ||
Stabat Mater: 8. Fac ut ardeat | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 3 | 11A | 83 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM |
Section: 0.5785434246063232
End: 0.583888053894043