Francesco Antonio Bonporti, London Baroque made "Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro" available on March 26, 2013. With Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "The trio sonata in 18th century italy". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro by Francesco Antonio Bonporti, London Baroque having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata I in B Minor, HWV 386, Op. 2 No. 1: III. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Violin Sonata in D Minor, Op. 2, No. 3, RV 14: III. (Adagio) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | E Major | 3 | 12B | 107 BPM | ||
12 Trio Sonatas, Op. 1, No. 4 in E Major, RV 66: V. Giga. Allegro | Antonio Vivaldi, L'Estravagante | G Minor | 0 | 6A | 141 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Trio Sonata No. 6 in G Major, BWV 530: III. Allegro (Arr. R. Gwilt) | Johann Sebastian Bach, London Baroque | D♭ Major | 4 | 3B | 101 BPM | ||
Concerto in G Minor: III. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 136 BPM | ||
Concerto di Flauti, S.D945: II. Allegro | Alessandro Marcello, Dorothee Oberlinger | C Major | 1 | 8B | 138 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Sonata in E Minor: II. Largo | Johann Rosenmüller, London Baroque | E♭ Minor | 2 | 2A | 78 BPM |
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