Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro
Francesco Antonio Bonporti, London Baroque
The trio sonata in 18th century italy
1:28 March 26, 2013
BPM
108
Key
F♯ Minor
Camelot
11A

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Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro - Francesco Antonio Bonporti, London Baroque Information

Acousticness
73%
Danceability
47%
Energy
22%
Instrumentalness
0%
Liveness
13%
Loudness
71%
Speechiness
4%
Valence
50%
Popularity
Loudness
-17.199 dB

Summary

Francesco Antonio Bonporti, London Baroque made "Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro" available on March 26, 2013. With Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "The trio sonata in 18th century italy". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro BPM

With Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro by Francesco Antonio Bonporti, London Baroque having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro Key

F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

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ISRC
SEAEV1215060
Label
L-M Records/RCA Records

Section: 0.6247878074645996

End: 0.6282711029052734