Johann Rosenmüller, London Baroque made "Sonata in E Minor: II. Largo" available on March 1, 2008. With Sonata in E Minor: II. Largo being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 29 in Chamber Music: London Baroque - Rosenmuller, J. / Hacquart, C. / Buxtehude, D. / Biber, H. I. F. (The Trio Sonata in 17Th Century Germany) by London Baroque. Sonata in E Minor: II. Largo is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Sonata in E Minor: II. Largo by Johann Rosenmüller, London Baroque is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in G Minor, Op. 3 No. 5: III. Sarabanda. Andante con espressione - Allegro grazioso | Giuseppe Sammartini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Thetis: Recitative - Aria: Volez, tyrans des airs | Jean-Philippe Rameau, Peter Harvey, London Baroque | D♭ Major | 3 | 3B | 76 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: IV. Gavotta. Presto | Tomaso Albinoni, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Harmonia artificiosa-ariosa: Partia No. 6 in D Major: III. Finale: Adagio - Allegro | Heinrich Ignaz Franz von Biber, London Baroque | A♭ Major | 1 | 4B | 118 BPM | ||
12 Sonate a 3, Op. 1: Sonata No. 8: I. Largo | John Ravenscroft, London Baroque | F♯ Major | 2 | 2B | 61 BPM | ||
Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 3. Musette (Andante - Allegro) | George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 2 | 11B | 115 BPM | ||
Sonata in E Minor, TWV 50:4: III. Air | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | B♭ Minor | 0 | 3A | 67 BPM | ||
Les nations, Troisième ordre "L'impériale": IV. Courante II | François Couperin, London Baroque | D♭ Major | 3 | 3B | 118 BPM | ||
Sonata in A Major: I. Largo | John Blow, London Baroque | E♭ Major | 1 | 5B | 120 BPM | ||
Pieces de clavecin en concerts: Concert No. 4 in B-Flat Major: I. La pantomime (Loure un peu vive) | Jean-Philippe Rameau, London Baroque | A Major | 2 | 11B | 70 BPM |
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