John Ravenscroft, London Baroque's '12 Sonate a 3, Op. 1: Sonata No. 8: I. Largo' came out on August 24, 2010. With 12 Sonate a 3, Op. 1: Sonata No. 8: I. Largo being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "The Trio Sonata in 18th Century England". In this album, this song's track order is #1. 12 Sonate a 3, Op. 1: Sonata No. 8: I. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Sonate a 3, Op. 1: Sonata No. 8: I. Largo by John Ravenscroft, London Baroque having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto No. 2 in C Minor: III. Courante a l'Italienne - croches egales | Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D♭ Major | 1 | 3B | 179 BPM | ||
Concerto Grosso in A Major, Op. 2, No. 6: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | A Major | 1 | 11B | 85 BPM | ||
Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 4. Marche | George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 2 | 11B | 115 BPM | ||
Partie 3 en mi bémol majeur: Courant | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 2 | 11B | 70 BPM | ||
Flute Concerto in G Major, QV 5:165: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | D Minor | 0 | 7A | 72 BPM | ||
Airs for the Spring: Ranunculus: III. Tempo di minuetto | James Oswald, The Broadside Band | A Major | 2 | 11B | 120 BPM | ||
Trio Sonata in G Major: I. Largo | Johann Gottlieb Graun, Berliner Barock Compagney | F♯ Major | 1 | 2B | 97 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
Sinfonia avanti, "Il Barcheggio": I. Spiritoso, e staccato | Alessandro Stradella, Niklas Eklund, Susanne Rydén, London Baroque, Charles Medlam | D♭ Major | 2 | 3B | 107 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, IV. Allegro assai | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | B Major | 3 | 1B | 128 BPM |
Section: 0.5132806301116943
End: 0.5181081295013428