On January 1, 1985, the song "Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 4. Marche" was released by George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock. With Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 4. Marche being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Lisa Beznosiuk, Michaela Comberti, Simon Standage, Anthony Pleeth, Trevor Pinnock's "Handel: Trio Sonatas" album is number 21 out of 26. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 4. Marche is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 4. Marche by George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hasse: Demofoonte, Sinfonia: III. Presto | Johann Adolf Hasse, Julien Chauvin, Le Concert de la Loge | D♭ Major | 3 | 3B | 159 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
Acis and Galatea, HWV 49a, Act I: Hush, Ye Pretty Warbling Quire! (Galatea) | George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Grace Davidson | A Major | 2 | 11B | 129 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | B Minor | 3 | 10A | 119 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: II. Allemanda. Allegro | Tomaso Albinoni, London Baroque | D♭ Minor | 2 | 12A | 138 BPM | ||
Bach, CPE: Flute Concerto in D Minor: I. Allegro (After Harpsichord Concerto, Wq. 22) | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | D Minor | 2 | 7A | 96 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Sonata in G Major, Op. 2, No. 12 (Ciacona): Ciacona (Largo - Allegro) | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 3 | 11B | 68 BPM |
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