Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 4. Marche
George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock
Handel: Trio Sonatas
1:23 January 1, 1985
BPM
115
Key
A Major
Camelot
11B

Embed

Share Link

Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 4. Marche - George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock Information

Acousticness
84%
Danceability
65%
Energy
21%
Instrumentalness
0%
Liveness
14%
Loudness
67%
Speechiness
5%
Valence
92%
Popularity
Loudness
-19.621 dB

Summary

On January 1, 1985, the song "Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 4. Marche" was released by George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock. With Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 4. Marche being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Lisa Beznosiuk, Michaela Comberti, Simon Standage, Anthony Pleeth, Trevor Pinnock's "Handel: Trio Sonatas" album is number 21 out of 26. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 4. Marche is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 4. Marche BPM

We consider the tempo marking of Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 4. Marche by George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 4. Marche Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Hasse: Demofoonte, Sinfonia: III. Presto by Johann Adolf Hasse, Julien Chauvin, Le Concert de la LogeHasse: Demofoonte, Sinfonia: III. PrestoJohann Adolf Hasse, Julien Chauvin, Le Concert de la LogeD♭ Major33B159 BPM
Flute Concerto in G Major, QV 5:165: III. Presto by Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós SpányiFlute Concerto in G Major, QV 5:165: III. PrestoJohann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós SpányiF Major17B107 BPM
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) by Johann David Heinichen, Il Fondamento, Paul DombrechtConcerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1)Johann David Heinichen, Il Fondamento, Paul DombrechtF♯ Major32B116 BPM
Acis and Galatea, HWV 49a, Act I: Hush, Ye Pretty Warbling Quire! (Galatea) by George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Grace DavidsonAcis and Galatea, HWV 49a, Act I: Hush, Ye Pretty Warbling Quire! (Galatea)George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Grace DavidsonA Major211B129 BPM
Concerto Grosso in E Minor, Op. 3, No. 3: II. Allegro by Francesco Geminiani, Capella Istropolitana, Jaroslav KrcekConcerto Grosso in E Minor, Op. 3, No. 3: II. AllegroFrancesco Geminiani, Capella Istropolitana, Jaroslav KrcekB Minor310A119 BPM
Balletto à 3 in G Major, Op. 3 No. 3: II. Allemanda. Allegro by Tomaso Albinoni, London BaroqueBalletto à 3 in G Major, Op. 3 No. 3: II. Allemanda. AllegroTomaso Albinoni, London BaroqueD♭ Minor212A138 BPM
Bach, CPE: Flute Concerto in D Minor: I. Allegro (After Harpsichord Concerto, Wq. 22) by Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie PotsdamBach, CPE: Flute Concerto in D Minor: I. Allegro (After Harpsichord Concerto, Wq. 22)Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie PotsdamD Minor27A96 BPM
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro by Giovanni Battista Sammartini, Camerata KölnConcerto in C major for violoncello piccolo, strings and b.c.: AllegroGiovanni Battista Sammartini, Camerata KölnF♯ Major22B133 BPM
Symphony in A Major, J-C 62: II. Andante e pianissimo by Giovanni Battista Sammartini, Aradia Ensemble, Kevin MallonSymphony in A Major, J-C 62: II. Andante e pianissimoGiovanni Battista Sammartini, Aradia Ensemble, Kevin MallonA♭ Minor01A104 BPM
Sonata in G Major, Op. 2, No. 12 (Ciacona): Ciacona (Largo - Allegro) by Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor PinnockSonata in G Major, Op. 2, No. 12 (Ciacona): Ciacona (Largo - Allegro)Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor PinnockA Major311B68 BPM
ISRC
DEF058500144
Label
L-M Records/RCA Records

Section: 0.658174991607666

End: 0.6625919342041016