George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Grace Davidson's 'Acis and Galatea, HWV 49a, Act I: Hush, Ye Pretty Warbling Quire! (Galatea)' came out on February 1, 2019. Acis and Galatea, HWV 49a, Act I: Hush, Ye Pretty Warbling Quire! (Galatea) is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The song is number 4 out of 24 in Acis and Galatea by George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Acis and Galatea, HWV 49a, Act I: Hush, Ye Pretty Warbling Quire! (Galatea)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Acis and Galatea, HWV 49a, Act I: Hush, Ye Pretty Warbling Quire! (Galatea) by George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Grace Davidson is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Caelo Stele Clare Fulgescant: Alleluia | Nicola Porpora, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 3 | 4B | 0 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | A Major | 2 | 11B | 125 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Messiah, HVW 56, Part 1, Scene 1: And the glory of the Lord | George Frideric Handel, Bible, Charles Jennens, St. Jacob's Chamber Choir, Rebaroque, Gary Graden | E Major | 1 | 12B | 82 BPM | ||
Acis and Galatea, HWV 49a, Act I: Oh, Didst Thou Know The Pains - As When The Dove (Galatea) | George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Grace Davidson | E Major | 0 | 12B | 84 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM |
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