"Symphony in A Major, J-C 62: II. Andante e pianissimo" by Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon was released on November 15, 2005. The duration of Symphony in A Major, J-C 62: II. Andante e pianissimo is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Symphony in A Major, J-C 62: II. Andante e pianissimo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Sammartini, G.B.: Symphonies J-C 4, 9, 16, 23, 36, 62". In this album, this song's track order is #2. In terms of popularity, Symphony in A Major, J-C 62: II. Andante e pianissimo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony in A Major, J-C 62: II. Andante e pianissimo by Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Minor, Op. 6 No. 10, HWV 328: II. Air. Lentement | George Frideric Handel, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Minor | 0 | 12A | 37 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: II. Adagio | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 1 | 2B | 174 BPM | ||
Cello Sonata No. 5, Op. 4: II. Largo | Giovanni Battista Sammartini, Ensemble Dolci Accenti | E♭ Minor | 0 | 2A | 141 BPM | ||
12 Concerti Grossi, Op. 6, No. 2 in F Major: I. Vivace - Allegro | Arcangelo Corelli, Europa Galante, Fabio Biondi | E Major | 1 | 12B | 120 BPM | ||
Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": II. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | B Major | 1 | 1B | 78 BPM | ||
Psalm 109, H. 204, "Dixit Dominus": Dixit Dominus, H. 204 | Marc-Antoine Charpentier, Jane Archibald, James McLennan, David Nortman, Estaban Cambre, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 81 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 110 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM |
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