Balletto à 3 in G Major, Op. 3 No. 3: II. Allemanda. Allegro - Tomaso Albinoni, London Baroque Information

Acousticness: 77%
Danceability: 31%
Energy: 19%
Instrumentalness: 0%
Liveness: 8%
Loudness: 70%
Speechiness: 4%
Valence: 22%
Popularity: 0%
Loudness: -17.805 dB

Summary

Tomaso Albinoni, London Baroque's 'Balletto à 3 in G Major, Op. 3 No. 3: II. Allemanda. Allegro' came out on March 26, 2013. With Balletto à 3 in G Major, Op. 3 No. 3: II. Allemanda. Allegro being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "The trio sonata in 18th century italy". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Balletto à 3 in G Major, Op. 3 No. 3: II. Allemanda. Allegro's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Balletto à 3 in G Major, Op. 3 No. 3: II. Allemanda. Allegro BPM

With Balletto à 3 in G Major, Op. 3 No. 3: II. Allemanda. Allegro by Tomaso Albinoni, London Baroque having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Balletto à 3 in G Major, Op. 3 No. 3: II. Allemanda. Allegro Key

This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Folias echa para mi Señora Doña Tarolilla de Carallenos	Andrea Falconieri, London Baroque	B Major	3	1B	78 BPM
Trio Sonata in B-Flat Major, Op. 1, No. 10, RV 78: I. Preludio (Adagio)	Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque	F♯ Minor	1	11A	79 BPM
Corelli: Sonata No. 1 in C Major (from "12 Violin Sonatas", Op. 4): I. Preludio (Largo) - II. Corrente (Allegro) - III. Adagio - IV. Allemanda (Presto)	Arcangelo Corelli, London Baroque/Charles Medlam, Charles Medlam	B Major	2	1B	99 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro	Tomaso Albinoni, Alessandro Baccini, L'offerta Musicale Ensemble, Riccardo Parravicini	D Minor	2	7A	101 BPM
Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: I. Largo	Tomaso Albinoni, Ensemble 415, Chiara Banchini	B Major	7	1B	108 BPM
Sonate en la mineur, Wq. 154 (H.576): Sonate en la mineur, Wq. 154 (H.576): I. Allegro assai	Carl Philipp Emanuel Bach, London Baroque, Richard Egarr	F Major	0	7B	141 BPM
Trios pour le coucher du Roi: Symphonie	Jean-Baptiste Lully, London Baroque	B Major	3	1B	68 BPM
Concerto Grosso in D Major, Op. 1, No. 9: I. Allegro	Pietro Locatelli, Capella Istropolitana	D Major	3	10B	136 BPM
Phaëton, LWV 61: Ritournelle "Le printemps"	Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon	A♭ Major	4	4B	77 BPM
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio	Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek	C Major	2	8B	141 BPM

ISRC: SEAEV1215020
Label: L-M Records/RCA Records

Section: 0.8079473972320557

End: 0.8135876655578613