"Sonate en la mineur, Wq. 154 (H.576): Sonate en la mineur, Wq. 154 (H.576): I. Allegro assai" by Carl Philipp Emanuel Bach, London Baroque, Richard Egarr was released on October 17, 1994. Sonate en la mineur, Wq. 154 (H.576): Sonate en la mineur, Wq. 154 (H.576): I. Allegro assai is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The song is number 1 out of 15 in Carl Philipp Emanuel Bach: Triosonaten by Carl Philipp Emanuel Bach, London Baroque, Richard Egarr. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Sonate en la mineur, Wq. 154 (H.576): Sonate en la mineur, Wq. 154 (H.576): I. Allegro assai's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonate en la mineur, Wq. 154 (H.576): Sonate en la mineur, Wq. 154 (H.576): I. Allegro assai by Carl Philipp Emanuel Bach, London Baroque, Richard Egarr is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Concerto grosso in G Major, Op. 3 No. 3, HWV 314: III. Adagio | George Frideric Handel, Jean-Pierre Rampal, Huguette Fernandez, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | G Major | 1 | 9B | 77 BPM | ||
Les nations, Troisième ordre "L'impériale": V. Sarabande | François Couperin, London Baroque | D♭ Major | 3 | 3B | 118 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Suite in D Major: V. Courante | Christopher Simpson, London Baroque | A♭ Major | 2 | 4B | 132 BPM | ||
Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo | Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 81 BPM | ||
Sonata in G Major, "La Felicite": II. Allegro | Louis-Nicolas Clérambault, London Baroque | F♯ Major | 3 | 2B | 117 BPM | ||
Fantasias a 3: No. 8 | Orlando Gibbons, London Baroque | D♭ Minor | 1 | 12A | 78 BPM | ||
Les femmes: Recitative: Que les Amants dans leurs chaines | André Campra, Peter Harvey, London Baroque | A♭ Major | 1 | 4B | 73 BPM | ||
Recorder Sonata No. 3 in C Major: III. Adagio | Francesco Barbella, Dan Laurin, London Baroque | F♯ Major | 1 | 2B | 82 BPM | ||
Hamburg Symphony No. 4 in A Major, Wq. 182: II. Largo ed innocentemente | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM |
Section: 0.5105648040771484
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