Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder's 'Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo' came out on January 9, 2009. With Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Friedrich Fasch, Kammerorchester Basel, Julia Schröder's "Johann Friedrich Fasch: Concerti & Ouvertüren" album is number 8 out of 19. Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo by Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | B♭ Major | 1 | 6B | 126 BPM | ||
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | ||
Sinfonia melodica for 2 Oboes, Strings and Basso Continuo in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Albrecht Mayer, Viola Orlovsky, Berliner Barock Solisten, Rainer Kussmaul | C Major | 2 | 8B | 112 BPM | ||
Concerto in C Minor, Op. 6 No. 3: III. Grave | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | B♭ Minor | 2 | 3A | 70 BPM | ||
Theodora, HWV 68, Overture: Courante | George Frideric Handel, Arcangelo, Jonathan Cohen | D♭ Minor | 1 | 12A | 75 BPM | ||
Concerto in D Major | Johann Friedrich Fasch, Vienna Pro Musica, Vinzenz Hladky, Elfriede Kunschak | D Major | 3 | 10B | 119 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): III. Sarabanda | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | D Minor | 0 | 7A | 98 BPM | ||
Concerto grosso in D Minor, op. 8, No. 7 (Ed. G. Sechi): III. Allegro - Adagio | Giuseppe Torelli, Kammerorchester Basel, Julia Schröder | E Major | 3 | 12B | 135 BPM | ||
L'orfeo: Orfeo, tu dormi | Antonio Sartorio, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM |
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