"Concerto Armonico No. 2 in B-Flat Major: Largo andante" by Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon was released on November 30, 2002. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wassenaer: Concerti Armonici by Unico Wilhelm van Wassenaer. The song's track number on the album is #5 out of 22 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Concerto Armonico No. 2 in B-Flat Major: Largo andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto Armonico No. 2 in B-Flat Major: Largo andante by Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto Armonico No. 2 in B-Flat Major: Largo andante being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture No. 2 in F Major: III. Sarabande | Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini | F Major | 1 | 7B | 108 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 1: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | D♭ Major | 3 | 3B | 130 BPM | ||
Les plaisirs: 2e Entree | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 79 BPM | ||
Sonata Prima in F Major: IV. Giga Presto | Unico Wilhelm van Wassenaer, Teun & Teun | F♯ Minor | 1 | 11A | 126 BPM | ||
Symphony in C Minor, Bryan Cm2: IV. Allegro molto | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | C Minor | 1 | 5A | 87 BPM | ||
Concerto II in B-Flat Major: III. Vivace | Unico Wilhelm van Wassenaer, Combattimento Consort Amsterdam, Jan Willem de Vriend | A Major | 1 | 11B | 75 BPM | ||
Overture in G Minor: II. Gavotte | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 89 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): III. Amoroso | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 79 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM |
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