Georg Philipp Telemann, Albrecht Mayer, Viola Orlovsky, Berliner Barock Solisten, Rainer Kussmaul made "Sinfonia melodica for 2 Oboes, Strings and Basso Continuo in C Major, TWV 50:2: VI. Chaconnette" available on January 1, 2005. With Sinfonia melodica for 2 Oboes, Strings and Basso Continuo in C Major, TWV 50:2: VI. Chaconnette being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Sinfonia Melodica - Works by Telemann". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Germany. In terms of popularity, Sinfonia melodica for 2 Oboes, Strings and Basso Continuo in C Major, TWV 50:2: VI. Chaconnette is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sinfonia melodica for 2 Oboes, Strings and Basso Continuo in C Major, TWV 50:2: VI. Chaconnette by Georg Philipp Telemann, Albrecht Mayer, Viola Orlovsky, Berliner Barock Solisten, Rainer Kussmaul having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Oboe, Strings and Basso Continuo in G Minor, Op. 8 No. 5: II. Allegro assai - Adagio | Giuseppe Sammartini, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | B♭ Major | 2 | 6B | 120 BPM | ||
Sinfonia to Il Giardino di Amore: I. Allegro | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 118 BPM | ||
Handel: Concerto grosso in G Major, Op. 3 No. 3, HWV 314: III. Adagio | George Frideric Handel, Jean-Pierre Rampal, Huguette Fernandez, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | G Major | 1 | 9B | 77 BPM | ||
Harpsichord Concerto in G Major, H. 412 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): II. Adagio (Cadenza: Mayer) | Albrecht Mayer, Carl Philipp Emanuel Bach, Berliner Barock Solisten | D Major | 0 | 10B | 96 BPM | ||
Vivaldi: Chamber Concerto in A Minor, RV 108: I. Allegro | Antonio Vivaldi, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | E Major | 2 | 12B | 144 BPM | ||
Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D Major | 1 | 10B | 93 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: II. Allegro | George Frideric Handel, Roger Lord, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 2 | 10A | 129 BPM | ||
Oboe d'amore Concerto in D Major: IV. Allegro non troppo | Christoph Graupner, Lajos Lencsés, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 118 BPM | ||
Kommer intet Mollberg | Bellman Concerto Ensemble, Tomas Blank In Harmony | A Minor | 1 | 8A | 79 BPM |
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