Antonio Sartorio, Anastasia Kobekina, Kammerorchester Basel made "L'orfeo: Orfeo, tu dormi" available on February 2, 2024. The duration of L'orfeo: Orfeo, tu dormi is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. L'orfeo: Orfeo, tu dormi's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Venice by Anastasia Kobekina. The song's track number on the album is #20 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, L'orfeo: Orfeo, tu dormi's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since L'orfeo: Orfeo, tu dormi by Antonio Sartorio, Anastasia Kobekina, Kammerorchester Basel has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With L'orfeo: Orfeo, tu dormi being at 142 BPM, the half-time would be 71 BPM with a double-time of 284 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto | Gabriel Fauré, Lucas Debargue | B♭ Minor | 0 | 3A | 77 BPM | ||
Go, Crystal Tears | John Dowland, Anastasia Kobekina, Azul Lima | F♯ Major | 2 | 2B | 142 BPM | ||
Cello Concerto in D Minor, RV 405: I. [Allegro] | Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
Médée, H. 491: Ouverture | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | B♭ Major | 2 | 6B | 146 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: IV. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: I. Adagio affettuoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | B Major | 2 | 1B | 98 BPM | ||
A campaign of tragedy (String Quartet) | Angles, Elle-Kari, Eva Lindal, Anna Lindal, Brusk Zanganeh, My Hellgren | G Major | 0 | 9B | 98 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile | Florence Beatrice Price, Avalon String Quartet | A Major | 1 | 11B | 84 BPM | ||
Act I: Scene 4 - Ruscelletti, che sciogliete | Antonio Sartorio, Teatro Lirico, Stephen Stubbs | D♭ Minor | 1 | 12A | 82 BPM | ||
Cello Concerto No. 1 in E-Flat Major Op. 107: II. Moderato | Dmitri Shostakovich, Anastasia Kobekina, Kevin John Edusei, Berner Symphonieorchester | D Major | 0 | 10B | 90 BPM |
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