"3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto" by Gabriel Fauré, Lucas Debargue was released on March 22, 2024. The duration of 3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. 3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 68 in Fauré: Complete Music for Solo Piano by Gabriel Fauré, Lucas Debargue. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. 3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto by Gabriel Fauré, Lucas Debargue is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 38: No. 2 in C Minor. Allegro non troppo, MWV U 115 | Felix Mendelssohn, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
Tristan Und Isolde: Liebestod - Isolde's Love Death. Act 3 (Arr. Solo Piano by Grundfeld) - Duca 518 | Richard Wagner, Alfred Grünfeld, Peter Phillips | A♭ Major | 1 | 4B | 67 BPM | ||
Lyric Pieces, Op. 43: No. 1, Butterfly (Schmetterling, Papillon) - Welte-Mignon 1005 | Edvard Grieg, Paula Stebel, Peter Phillips | F♯ Minor | 0 | 11A | 69 BPM | ||
12 Études, Op. 10: No. 1 in C Major "Waterfall" | Frédéric Chopin, Yunchan Lim | C Major | 2 | 8B | 86 BPM | ||
Sicilienne, Op. 78 (arr. for flute and harp) | Donald Sosin, Gabriel Fauré, Nora Shulman, Judy Loman | B♭ Major | 1 | 6B | 153 BPM | ||
Piano Quartet No. 1 in C Minor, Op. 15: III. Adagio | Gabriel Fauré, Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang | F Major | 2 | 7B | 118 BPM | ||
Rachmaninov: Études-Tableaux, Op. 39: No. 8 in D Minor | Sergei Rachmaninoff, Yoav Levanon | G Major | 2 | 9B | 99 BPM | ||
Morceaux Caractéristiques, Op. 36: No. 24, Aux Champs - From Aeolian Roll | Anton Arensky, Manuel Ruiz Del Corral | B Minor | 0 | 10A | 77 BPM | ||
Hier encore (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | D Minor | 2 | 7A | 82 BPM | ||
Waldscenen, Op. 82: No. 9, Farewell (Forest Scenes) - Duo-Art 6161 | Robert Schumann, John Henry Powell, Peter Phillips | G Major | 1 | 9B | 140 BPM |
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