"Tristan Und Isolde: Liebestod - Isolde's Love Death. Act 3 (Arr. Solo Piano by Grundfeld) - Duca 518" by Richard Wagner, Alfred Grünfeld, Peter Phillips was released on March 5, 2024. Since Tristan Und Isolde: Liebestod - Isolde's Love Death. Act 3 (Arr. Solo Piano by Grundfeld) - Duca 518 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Peter Phillips, Johann Strauss II, Bedřich Smetana, Cyril Scott, Léo Delibes, Enrique Granados, Camille Saint-Saëns, Pyotr Ilyich Tchaikovsky's "Kunstlerleben. Piano Music from the Golden Age" album is number 11 out of 22. On top of that, Germany appears to be the country where this track was created. Tristan Und Isolde: Liebestod - Isolde's Love Death. Act 3 (Arr. Solo Piano by Grundfeld) - Duca 518 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tristan Und Isolde: Liebestod - Isolde's Love Death. Act 3 (Arr. Solo Piano by Grundfeld) - Duca 518 by Richard Wagner, Alfred Grünfeld, Peter Phillips to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre, WWV 86B: Magic Fire Music (Arr. Solo Piano by Brassin) - Dc 517_nan | Richard Wagner, Alfred Grünfeld, Peter Phillips | B Major | 0 | 1B | 128 BPM | ||
Partita No. 1, BWV 825: No. 7, Gigue in B-Flat Major - Due-Art 0216 Br | Johann Sebastian Bach, Harold Samuel, Peter Phillips | D Major | 1 | 10B | 73 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Variation 4 | Carl Maria von Weber, Michael Endres | F Major | 1 | 7B | 111 BPM | ||
Hungarian Rhapsodies, S.244: Hungarian Rhapsody No. 11 - Duo-Art 6135 | Franz Liszt, Alfred Cortot, Peter Phillips | B Minor | 1 | 10A | 104 BPM | ||
Landler (Tirolese) - Duo-Art 6110 | Giovanni Sgambati, Peter Phillips, Winifred Byrd | E♭ Major | 2 | 5B | 71 BPM | ||
48 Esquisses, Op. 63, Book 1: No. 4, Les cloches | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Piano Sonata in F Major, Op. 12: Allegro molto | Jean Sibelius, Håvard Gimse | C Major | 1 | 8B | 107 BPM | ||
Intermezzo from L'amour Des Trois Oranges | Sergei Prokofiev, Manuel del Corral | B Minor | 3 | 10A | 120 BPM | ||
Gymnopédie No. 2 | Erik Satie, Yitkin Seow | F Major | 0 | 7B | 68 BPM | ||
Morceaux De Fantaisie, Op. 3: No. 2, Prelude in C-Sharp Minor - Welte-Mignon 234 | Sergei Rachmaninoff, Anatol von Rössel, Peter Phillips | A Major | 1 | 11B | 70 BPM |
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