"Hier encore (Arr. for Cello and Orchestra by Mathieu Herzog)" by Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra was released on March 29, 2024. The duration of Hier encore (Arr. for Cello and Orchestra by Mathieu Herzog) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Hier encore (Arr. for Cello and Orchestra by Mathieu Herzog)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Hier encore and no other songs are present in the album, we classify this track as a single. On top of that, Armenia appears to be the country where this track was created. Hier encore (Arr. for Cello and Orchestra by Mathieu Herzog) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hier encore (Arr. for Cello and Orchestra by Mathieu Herzog) by Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Uzun İnce Bir Yoldayım | Cihat Aşkın, Mehru Ensari | C Major | 1 | 8B | 93 BPM | ||
5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 4, Waltz. Tempo di valse, moderato | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | E♭ Major | 2 | 5B | 100 BPM | ||
Gavotte et six doubles, RCT 5/7: Gavotte | Jean-Philippe Rameau, Bruce Liu | A Minor | 0 | 8A | 146 BPM | ||
Tissue No. 6 | Philip Glass, Camille Thomas, Julien Brocal | C Major | 0 | 8B | 85 BPM | ||
Années de pèlerinage II, S. 161: No. 4. Sonetto 47 del Petrarca | Franz Liszt, Nelson Goerner | D♭ Major | 1 | 3B | 120 BPM | ||
Huldra's Dream | Helena Maria Falk, Bettina Bergström, The Norwegian Radio Orchestra | E Major | 4 | 12B | 163 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
Kanon und Gigue in D Major, P. 37 (Arr. for Piano by H.M.): Kanon | Johann Pachelbel, Alena Cherny | A♭ Major | 1 | 4B | 96 BPM | ||
Concerto pour violon No. 1, Op. 35 ; TH 59: I. Allegro moderato—Moderato assai en ré majeur (extrait) | Pyotr Ilyich Tchaikovsky, Isaac Stern, Philadelphia Orchestra, Eugene Ormandy | B Minor | 5 | 10A | 94 BPM | ||
30 Etudes, Op. 26: No. 10 in F-Sharp Minor. Adagio | Louise Farrenc, Lang Lang | A Minor | 1 | 8A | 126 BPM |
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