Jean-Philippe Rameau, London Baroque made "Pieces de clavecin en concerts: Concert No. 4 in B-Flat Major: I. La pantomime (Loure un peu vive)" available on February 1, 2003. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Rameau: Pieces de clavecin en concerts". In this album, this song's track order is #11. Pieces de clavecin en concerts: Concert No. 4 in B-Flat Major: I. La pantomime (Loure un peu vive) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Pieces de clavecin en concerts: Concert No. 4 in B-Flat Major: I. La pantomime (Loure un peu vive) by Jean-Philippe Rameau, London Baroque having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella Istropolitana | F Major | 1 | 7B | 168 BPM | ||
Musicalische Ergötzung: Partie I in F-dur | Johann Pachelbel, Charles Medlam, London Baroque | E Major | 2 | 12B | 103 BPM | ||
Suite in G Minor: Menuet I - II | Marin Marais, London Baroque | F♯ Minor | 2 | 11A | 46 BPM | ||
Symphony No. 59 in B-Flat Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 2 | 11B | 119 BPM | ||
Suite Les Indes Galantes / Les Turcs: 10. Ritournelle pour "Le Turc généreux" | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | G Minor | 2 | 6A | 92 BPM | ||
Flute Concerto in C Minor, QV 5:38: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Minor | 1 | 3A | 95 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 3 | 7B | 128 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM |
Section: 0.7907679080963135
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