- BPM
- 46
- Key
- F♯ Minor
- Camelot
- 11A
Suite in G Minor: Menuet I - II - Marin Marais, London Baroque Information
- Acousticness
- 85%
- Danceability
- 20%
- Energy
- 20%
- Instrumentalness
- 1%
- Liveness
- 9%
- Loudness
- 74%
- Speechiness
- 5%
- Valence
- 24%
- Popularity
- 13%
- Loudness
- -15.479 dB
Summary
Marin Marais, London Baroque's 'Suite in G Minor: Menuet I - II' came out on April 1, 2005. The duration of Suite in G Minor: Menuet I - II is about 3 minutes long, at 3:10. Based on our data, "Suite in G Minor: Menuet I - II" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 33 in the song's album "Trio Sonata In 17th-Century France". In this album, this song's track order is #25. Suite in G Minor: Menuet I - II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Suite in G Minor: Menuet I - II BPM
With Suite in G Minor: Menuet I - II by Marin Marais, London Baroque having a BPM of 46 with a half-time of 23 BPM and a double-time of 92 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Suite in G Minor: Menuet I - II Key
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata Da Camera No. 9 in A Major, Op. 5: I. Preludio (Largo) | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | F Minor | 1 | 4A | 81 BPM | |
 | Les plaisirs: 2e Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 114 BPM | |
 | Concerto d'église No. 4, Op. 2: II. Largo | Evaristo Felice Dall'Abaco, Orchestre De Chambre De Toulouse, Gilles Colliard | B Major | 1 | 1B | 71 BPM | |
 | Concerto No 5 in G minor - Presto | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 1 | 11A | 83 BPM | |
| Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 140 BPM | |
 | Concerto a 5 in A, Op.7, No.7 for Strings and Continuo: 1. (Allegro) | Tomaso Albinoni, I Musici | A Major | 2 | 11B | 106 BPM | |
 | Simphonie | Louis Couperin, London Baroque | A♭ Minor | 2 | 1A | 131 BPM | |
 | Trio Sonata in C Minor, FaWV N:c2: III. Largo | Johann Friedrich Fasch, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | |
 | Mensa sonora / PARS I (In D Major): 5. Gavotte | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 81 BPM | |
 | Trio Sonata in D Major, Op. 5, No. 2, HWV 397: II. Allegro | George Frideric Handel, London Baroque | D♭ Major | 3 | 3B | 126 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0172126293182373
End: 1.0213136672973633